Louie is anything but a typical sitcom. Unlike cookie-cutter sitcoms that seem to plague television (ahem, ahem TVLand original sitcoms...) Louie is an anomaly. It often veers off the straight narrative episodic structure and presents randomly clumped together scenes from a given day in the life of Louie. It's like a painting that allows its viewers to make meaning out of it. (But not in a self-important way, like most painters.)
Season 4, while still a hilarious season, had many moments of drama. While many people criticized the season for straying too far from pure comedy, we think it's brilliant and refreshing to see a show that allows creativity to dominate. With many series, you can feel the stench of the network's throats breathing down upon their writers (ahem, ahem TVLand original sitcoms) and it's a wonder many of those shows even have any creativity left. Many don't (ahem, ahem TVLand).
So as an ode to Louie's free verse, here are the 5 best dramatic moments of Louie, Season 4!
#5
Episode 6: Elevator Part 3
Episode 6: Elevator Part 3
No words to say. Bee-yootiful!
#4
Episode 4: Elevator Part 1
The first half of this episode is a slice of every parent's nightmare: Louie's youngest daughter separates herself from him on the subway. The next few minutes become so tense you'll be squirming in your seat, as Louie panics, has to wait for the train to reach the next stop, runs to the other platform, waits for the train going in the opposite direction, runs up and across the street, and hurtles back down to the platform where his daughter stranded herself.
The scene ends with Louie and his baby mama each separately expounding the horrors of the real world into her.
"It's a dangerous world! Kids get stolen and they disappear forever, Jane! This is real! Bad things happen....! Go ahead and cry, that's right, that's what you should be doing. You should be scared and crying."
The episode tugs at the heartstrings: the child's loss of innocence, and the unfortunate fact that parents have to strike fear into their children's hearts in order to protect them. Brilliant, Louie, brilliant.
#3
Episode 10: Pamela Part 1
Now here's an interesting scene. Louie goes on the rebound and sees Pamela again. In an attempt to win her over, he tries to "take control" and wrestles her against the wall and demands that she kiss him. She protests, "No, no, no!" and "I don't like it!" and even tells him, "You can't even rape well!" Believe it or not, it is a rather humorous scene but the fact that it gets so far into the territory of non-consensual relations, gives it an edge of horror to it.
#2
Episode 3: So Did the Fat Lady
Episode 3: So Did the Fat Lady
Actress Sarah Baker plays a memorable role, as a comedy club worker who flirts with Louie. But Louie isn't into her, and in the end of the episode she addresses the real reason why, the reason that was on all of our minds while watching it: she's fat. With casting directors throwing parts at the tightest, skinniest actresses (and often confusingly pairing them up with the most rotund as possible male companions, as though it's what nature intended), the issue of fat women in America is rarely addressed. And it's done beautifully, in a fantastic monologue by actress Sarah Baker. Once again, Louie takes us where most sitcoms don't dare tread.
#1
Episode 11: In the Woods
Episode 11: In the Woods
Most sitcoms would snatch up marijuana as a comical plotline. Take any scenario and mix the green stuff in, and it's gonna be funny. Many have tried it, from the likes of Roseanne all the way to The Sarah Silverman Program. But Louie's episode "In the Woods" shines a different light on it.
A young Louie being manhandled by a scumbag drug dealer from his neighborhood
What do we take away from these unexpected dramatic moments? That comedy can't live without drama. That a show focusing only on the funny moments in life may not be telling the whole story. That behind the joke, is a heart.
So here's to Louis C.K. and all the genre dippers out there, that have the balls for their commercialized product to stay an art. I applaud Louis C.K. for creating a T.V. show that just is what it is.




